Saturday, March 29, 2008 

Illustration Friday - Homage





When IF proposed the topic "Homage", I was a bit at a loss, thinking I did not want to fall into the typical medieval chap in armour rendering homage to the lady in distress (obviously after having saved her from the dragon). What do we do homage to? Artists, events, people... And sometimes to the simplest things. We have a certain type of stew in Galicia, my homeland, "o caldo", the basic diet for most some time ago, a pleasure for others nowadays. It is what my grandad has for lunch everyday, it is what we have every now and then, and I fear, that the old recipe may be lost since to have proper "caldo" you need to be in Galicia, using Galician grown "berzas". To sum it up, I did this portrait of my dad a while ago, in deep concentration before eating a spoonful of caldo, with some nice "patacas", and the old t-shirt he uses to cook, which makes him look like a grumpy Homer Simpson. This pastel drawing is quite big, and it is not hanging from any wall at home - perhaps the likeness is too scary? - but whether he likes it or not, that is him, and that's our "caldo".

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Thursday, August 02, 2007 

Negra Sombra


Negra Sombra
Originally uploaded by GranPatranha
Pues por jugar con los espejos, esto es lo que nos pasa. Nos volvemos oscuros, nos volvemos difusos... Quién esperaría un pulso perfecto cuando la cámara se mantiene sólo en la mano izquierda, la luz decae lentamente y no se acaba de ver el reflejo sobre el que se centra el objetivo.

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Friday, June 22, 2007 

Sofa Days


Sofa Days
Originally uploaded by GranPatranha
Given the very restricted nature of my real life (hah! call it "real"), Mr. Mannginger ends up being the subject / victim of all my paintings, so, hello, here's another portrait of the boy.

This time the portrait has been done in a technique new to me. Photoetching. Of all the etching techniques I have practised, this is perhaps the most puzzling one. Why puzzling? Two possible reasons:
a) I haven't completely mastered it at all, as I've only done a 3 day course, and thus, I am not aware yet of the potential it may have.
b) The detachment from the plate... One does not really work it and thus control it that much, and the final product ends up being... the same photograph!

Hullo... you'll say, silly moo, of course the result is the photograph you have been working with... may the name "photoetching" have something to do with it? Of course! But still, I think I expected more from this technique, appart from giving the photo a ragged handmade look which may be lovely, it is still not fulfilling enough, it does not seem to be my work, my etching, but just another interpretation of a more or less successful photo.

Certainly need to keep on working with this and certainly would love to see examples of successful photoetching, since, at the moment, I do not know what I can expect from this technique.

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Sunday, April 15, 2007 

It's a boy... no... it's a girl... no...

Just delivered two babies. I've also bought them a couple of gilded frames.
Meet Deirdre and Bran



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Saturday, February 24, 2007 

Photographic pleasures

One of the blogs I visit from time to time, Pollogallinaygallo (that name cracks me up), has a short entry on DavidLaChapelle. You may know him from the new Nip&Tuck ads series and the Desperate Housewives new season promotional imagery. The photo of the lady floating on the entry page is amazing (reminds me of Bacon's portraits), and the portraits section is definitely worth a look. After half an hour of visual pleasures, I could not help but sharing my favourite photo: Tori Amos by David La Chapelle.



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